The live performance bias and the focus on electronic music meant that the workflow was significantly more hands-on and intuitive for dance producers than a traditional DAW. Live 1 offered absolutely no MIDI sequencing features, focusing solely on audio with the emphasis on loops and manipulation of samples. Newcomers to Live might be surprised to look back at version one and see just how far the software's come in the course of ten years. The approach was an immediate hit, winning over producers of all electronic genres. Crucially, Live uses two main views to manage the production, composition and performance features: Session View offers mixer functions and a grid-based representation of all the clips (audio loops and samples) in your Live Set, while Arrange View uses a more traditional horizontal timeline, allowing arrangements to be pieced together from clips. Despite Live's excellent audio capabilities, the clever user interface and workflow were some of the most striking features of the program when it launched.
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